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by Austin Wintory

supported by
Jordan Vauvert
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Jordan Vauvert J'ignore si Austin Wintory a souvent eu l'occasion de composer des bandes-originales de documentaires mais une chose est certaine : s'attaquer à ce genre cinématographique aussi particulier ne semble pas être pour lui un problème. Dans Tread, il fait preuve de discrétion et installe une couleur locale immersive avec le banjo et la trompette. Malgré tout, les émotions très nuancées sont aussi de la partie, révélant que Marvin Heemeyer n'est pas qu'un personnage vindicatif et fanatique. Réussi ! Favorite track: You took advantage of my good nature.
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Treehero "Spring Before The Storm" Favorite track: Spring before the storm.
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Summer 1999 03:53
Spring 1992 05:47
Summer 2002 02:35
Fall 2003 02:58
To War 06:56
Questions 01:42


Working with director Paul Solet has always been a thrill and challenge, as I'd be hard-pressed to name anyone who pushes me as hard as he does. But despite over a decade of collaboration, I never expected him to make a documentary, and the resulting work is one I'm truly proud of.

This film is dramatically taut, yet Paul was deeply dedicated to representing the truth as dispassionately as possible. He always let the facts and people speak for themselves.

It was a real privilege to score this film and I hope my music has done justice to the story and peculiarity of Marvin Heemeyer's tale.


released March 4, 2020

Music composed and produced by Austin Wintory

Tom Strahle - Guitars, banjo, mandolin
Tina Guo - Cello
Serena McKinney - Violin
Chris Tedesco - Trumpet
Laura Intravia - Vocals

Orchestral performances by Macedonia Radio Symphony Orchestra (FAMES)
Conductor - Oleg Kontradenko

Score Mixer - Steve Kempster
Mix Assistant - Matt Friedman
ProTools recordist and music editor - Kevin Globerman
Orchestrations - Susie Seiter and Austin Wintory
MIDI transcription - M.R. Miller
Music copyist - Steve Juliani Music

Album mastered - Austin Wintory

Thank you to: my brother and brilliant director Paul Solet, Zipper Bros and Sutter Road for making the film happen, the incredible musicians who brought this to life, my indefatigable assistant Dallas Crane, my agent extraordinaire Sarah Kovacs, and my muse Angela Bermudez


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Austin Wintory Los Angeles, California

25% (or more) of the income here is used to support the non-profit Education Through Music - Los Angeles (www.etmla.org).

Thank you for helping me support this extremely important organization!

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